Isabelle Faust in conversation with Christoph Gaiser
Since 2012 you have appeared six times at the Philharmonie Luxembourg and have toured with the Orchestre Philharmonique du Luxembourg as well. Is there one among those concerts in Luxembourg which you remember in particular?
I have always felt very at home here, both in the main and the smaller hall. The acoustics are excellent in both cases, the audience is very attentive, and behind the stage one is very well taken care of and comfortable. The fact that the artist spends quite a bit of time in the hall and the dressing rooms is often overlooked, and that backstage conditions make a huge difference for the subsequent concert. The Philharmonie Luxembourg is exemplary in this regard! Of all the beautiful concerts there, I enjoy remembering the Schubert Octet, for example.
It was the first time we were all playing on historic instruments; some of my string-playing colleagues had never played on gut strings before. It was a very intriguing and happy event, which opened new sound perspectives to us.
A residency always aims for a more intense connection with the local musicians, but also with the audience. The connection arises from a give and take; what would you wish for from the Luxembourg audience in this regard?
I think it can be a chance for the audience to understand a musician and his intentions better and with greater differentiation if given the opportunity to encounter that artist in very different programmes and formations. During my residency, I will perform some rarely-heard works, but only my «coups de cœur». For example, some members of the audience will surely hear the Westhoff Sonatas for the first time. Ideally, curiosity about the musician should be transformed into curiosity about the music I have chosen.
I always try to introduce music lovers to a musical treasure trove that is as large and varied as I can make it, to sustain an open-mindedness for unknown works (or unknown details in familiar works). My extraordinary musician friends help me accomplish this. It is a great honour for me that they have all agreed to join me.
During your residency, you will perform with the orchestra and also play several chamber music works in a smaller formation. Which of the works scheduled for Luxembourg is the most challenging for you? And which are you looking forward to most?
Oh, all of these programmes are so beautiful! It is truly impossible to single out one of these fantastic works! They are indeed all favourite pieces of mine… perhaps I am particularly looking forward to the evening of Bach and Westhoff, since we have not had so many opportunities to perform it so far.
Iván Fischer direction
Isabelle Faust violon
Tabea Zimmermann alto
Zwei deutsche Solisten und ein niederländisches Orchester, auf dem Programmzettel der Italiener Rossini und die Österreichern Mozart und Haydn, und all dies unter der Leitung eines ungarischen Dirigenten: Wenn es etwas gibt, was das Konzert vom 15.12. zu feiern scheint, ist es das musikalische Europa in all seiner Vielfalt und Fülle. Nach einer berühmten Opernouvertüre wird die Geigerin Isabelle Faust zum ersten Mal in dieser Saison als Artist in residence auftreten, zusammen mit der Bratschistin Tabea Zimmermann in Mozarts nicht eben häufig zu hörender Sinfonia concertante. Nach einer weiteren Ouvertüre, die genauso berühmt und meisterhaft ist wie die erste, beschließt Haydns 1795 in London uraufgeführte Symphonie N° 102 den Abend.
Isabelle Faust, Anne Katharina Schreiber
Antoine Tamestit, Danusha Waskiewicz alto
Jean-Guihen Queyras, Christian Poltéra violoncelle
Orchestre Philharmonique du Luxembourg
Gustavo Gimeno direction
Isabelle Faust violon
Ce concert sera enregistré par radio 100.7 et retransmis le 10 juin 2020.
Kristin von der Goltz violoncelle
Elizabeth Kenny luth
Kristian Bezuidenhout clavecin
Mit Werken aus dem deutschen Violinrepertoire beschließt Isabelle Faust ihre Residenz an der Philharmonie Luxemburg und erweist an diesem Abend der ganzen Virtuosität und Emotionalität der barocken Geigenmusik die Ehre.