Programme

Ver i’s
Requiem

with Gianandrea Noseda
Grand Auditorium
Mon

  • Gianandrea Noseda rests his chin on folded hands, gazing thoughtfully into the distance against a dark backdrop.
    ©: Stefano Pasqualetti
  • Philharmonia Zürich, dressed in concert black, seated in red velvet theatre chairs, posed for a formal ensemble portrait.
    ©: Dominic Büttner

What you’ll hear and see

The music

  • Giuseppe Verdi Messa da Requiem

The artists

  • Orchester der Oper Zürich
  • Chor der Oper Zürich
  • Gianandrea Noseda conducting
  • Marina Rebeka soprano
  • Agnieszka Rehlis mezzo soprano
  • Joseph Calleja tenor
  • David Leigh bass

Album

Enhance your experience

résonance: film (EN, st FR)

The Noseda Effect, Alex Olegnowicz, 2025, 43', (EN st FR)

About «résonances»

One of the most famous requiems along with Wolfgang Amadeus Mozart’s,

Giuseppe Verdi’s Requiem has an interesting history. When Gioacchino Rossini died in 1868, Verdi suggested that Italian composers collaborate to write a Requiem to honour him. Verdi wrote the final part, Libera me… but sadly, the performance never happened. Five years later, when Italian writer Alessandro Manzoni died, Verdi decided to recycle his Libera me and composed the Requiem in memory of this artist he had admired all his adult life.

What if you could be in an opera?

Have you ever wondered why you have to sit during a concert? Can music reach the most vulnerable members of our society? What if we could all sing in an opera?

As part of the English Touring Opera and the Fondation EME respectively, Maddy and Sarah create original performances that are inclusive of all ages and abilities. With elegance, skill and humour, they work to make music accessible to all whilst also playfully challenging our preconceptions of what a typical concert experience should be.

Logo for the show Intune on top of a image of a concert stage
What if you could be in an opera?

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