Heinrich Schütz«Danket dem Herrn, denn er ist freundlich» SWV 45
Psaume IV
Giovanni Antonio Rigatti«Nisi Dominus» (Messa e Salmi)
Concerto
Claudio Monteverdi«Christe adoramus te» (Libro IV de Motetti)
Conclusio
Giovanni Gabrieli«Buccinate in neomenia tuba» (Symphoniae Sacrae II)
Doxologie
Francesco Corteccia«Gloria Patri»
PrièresConcerto
Samuel ScheidtPaduana, Courant (Ludi Musici I)
Concerto
Giovanni Battista Bovicelli, Giovanni Pierluigi da Palestrina«Ave verum corpus» (Regole, passaggi di musica)
Concerto
Claudio Monteverdi«Salve Regina» II (Selva morale e spirituale)
Concerto
Claudio Monteverdi«Stabat Virgo Maria a 5» (Era l’anima mia)
Psaume VAntienne
Francesco Corteccia«Alleluia»
Motet
Hieronymus Praetorius«Ch'io mi scordi di te» a 8 (Cantiones Sacrae)
Psaume V
Heinrich Schütz«Alleluja! Lobet en Herren» SWV 38
Magnificat
Michael Praetorius, Giovanni Antonio Rigatti, Hans Leo Hassler, Giovanni Gabrieli, Claudio Monteverdi, Francesco Cavalli, Heinrich SchützMagnificat «Mosaïque» (arr. Raphaël Pichon)
The artists
Pygmalion
Raphaël Pichonconducting
Raphaël Pichon and Pygmalion take you back in time.
He’s built this concert as an imaginary church service – complete with hymns, psalms and prayers – stitching together works by Monteverdi, Cavalli, Schütz, Praetorius and Scheidt to recreate something that could have happened in early 17th-century Europe, when Italian and German composers were frantically copying each other’s homework. The finale is a Magnificat Pichon pieced together from seven different composers. It shouldn't work, but it really, really does.